Pomander Balls: An Easy To Make Holiday Gift

For generations pomanders were given as a New Year’s gift. When I was young my grandmother and mother made them as Christmas gifts, and I have continued with that tradition, but I have also discovered, whatever time of year you choose to create a pomander, they are easy to make and appropriate gifts for any reason, holiday, or season. So, if you are looking for something to keep the children busy have them make this unique gift.

Original pomanders were cases of gold, silver, ivory or china often encrusted with precious jewels and packed with aromatic herbal mixtures whose scents wafted through openings to permeate the air and ward off disease, as it was originally believed, as well as to mask the foul odors arising from unsanitary living conditions. These cases were hung from a chain around the neck or the waist and many were extraordinarily beautiful. Queen Elizabeth I was reported to have worn a girdle with a pomander, and Cardinal Wolsey is said to have carried a hollowed apple or orange filled with spices on his person. Of course not everyone could afford elaborately decorated cases so many folks had pomanders made out of more common materials, which the wearers hoped would be equally effective in keeping the wearer healthy.

My family has always made pomanders using citrus fruits: oranges, lemons, or limes. For a long lasting, fragrant, and beautiful pomander the fruit should be unblemished, nicely shaped, and fairly thick skinned. You will also need whole cloves, powdered orris root, available on-line or through your local health food store, and cinnamon or allspice, depending on your preference.  Dried or powdered orris root smells like violets and has traditionally been used to lend a pleasant scent to freshly laundered linens and to potpourri; but all these spices are quite fragrant lending the pomander its lovely aromatic quality.

For convenience sake, find a large plate or bowl to empty your whole cloves into. Working with the fruit over the bowl makes the process less messy. You will be working with citrus and will get sticky fingers, so keep some hand wipes nearby. Stud the surface of your chosen fruit evenly and closely with the whole cloves producing a tight “coat of mail” effect over the entire body of the fruit. To prevent your whole cloves from breaking off use a stiff toothpick to first pierce the skin of the fruit, then inset the clove into this pre-punctured hole . Once you start making your pomander it is important to finish the clove embedding process as soon as possible, otherwise the fruit will begin to dry making it difficult to work with.

When the fruit has been completely studded with cloves lay it in a bowl with the pomander spice mixture made up of equal parts orris root and cinnamon or allspice. Each piece of fruit will require about two tablespoons of the spice mixture. Turn the fruit daily in the spice mixture until completely cured. The length of time required to completely cure will depend on the size of the fruit; be patient. The pulp will dry slowly, the juices will seep out mingling with the spices, and the skin will slowly shrink. When the process is completed the pomander will be light, dry, and quite fragrant. A plus to the curing process is as your new holiday gift cures it emits a beautiful, spicy fragrance, a sort of holiday essence for the household.

Tie the completed pomander with a decorative ribbon for hanging in closets or bathrooms, or place in a drawer to keep your linens or delicates smelling sweet. Wherever you decide to use them their fragarence will last for years and can often be recharged simply by placing them back into the spice mixture for several days. What better way to keep the children busy, create lasting memories, and wonderful gifts all at the same time.

Happy Holidays!

Former British, Mexican leaders square off on globalization, war, academia- The New Haven Register - Serving New Haven, Connecticut

Former British, Mexican leaders square off on globalization, war, academia- The New Haven Register - Serving New Haven, Connecticut

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"You cannot help the poor by destroying the rich. You cannot strengthen the weak by weakening the strong. You cannot bring about prosperity by discouraging thrift. You cannot lift the wage earner up by pulling the wage payer down. You cannot further the brotherhood of man by inciting class hatred. You cannot build character and courage by taking away people's initiative and independence. You cannot help people permanently by doing for them, what they could and should do for themselves."

Abraham Lincoln

What qualities in a description do you think would make a reader want to pay careful attention? What qualities might encourage them to skip ahead?

This is such an interesting question, does someone have a definitive answer -- because this what I feel I am really struggling with as a writer – how do we describe something to make the reader pay attention and make them want to continue reading? How do we describe a moment or an object so that the reader will not only see what the author wants them to see, but also allow them to free their imagination and see what they would see, draw from their own experiences or perceptions? How do we draw a reader into our story even if it is not a particular style or story line that they would usually be attracted to, because aren’t most readers subjective? We don’t all like the same styles or genres; everyone’s trigger is tripped in a slightly different way.

This is one of the things I find challenging about working on a short story: how to keep the tale tight, succinct, descriptive and satisfying in the time it would take someone to read while say, waiting in the doctor’s office; or better yet, make them want to take the magazine with them when their name is called but they haven’t finished, because they need to know what happens.

Nowadays I’m trying to write to satisfy myself in the hopes that there will be a few readers out there who might appreciate my efforts someday. And I have begun to overwrite in a big way. Sometimes this makes my story shift because I go in a direction I hadn’t realized was there, sometimes I get a picture in my head and write it down only to look at it later and realize the words are inadequate, or over the top, or not in the same vein as the rest of my stories “style”. Now my problem has not only become finding the time to write in between making a living and taking care of a household, but finding the time to go back and edit, edit, edit.

I Love Books

When I was very young my paternal grandmother, Grammie Conn, would sit me on the footstool in front of her chair, brush my hair, then for what seemed like hours on end she would recite poems and nursery rhymes to me. A shy child, as I grew I preferred to spend my free time with my nose buried in a book. I loved the way I could get lost in another world when reading, literally transported; books became my own little time machine through which I explored a world much larger and – I believed - more interesting than my own.

My mother was an avid reader herself and did not discourage me from reading, but sometimes I had to bend her rules a little - like hiding under the bedcovers after lights out with a flashlight reading until I fell asleep, when I woke I would continue on and be late getting ready for the school. I would try to read at the dinner table, I read when I was suppose to be doing chores, I would even hide books within my text books at school, pretending I was studying while really I walking through the Amazon, slaying dragons, or falling through a rabbit hole to another world . As my family life became more chaotic and unstable books became my anchor and my escape.

Phantom Tollbooth was published in 1961, the year I was born. I discovered Norton Juster’s novel through the school’s library sale when I was in Fourth or Fifth grade. It was not the first book I had ever read, but it was so different that I remember it to this day. The tale begins with the protagonist, Milo, returning home from school to find an anonymous package containing a miniature tollbooth and a map of Lands Beyond. He puts the tollbooth together, gets the map, drives through the tollbooth in his toy car and finds himself driving on a road in a place called Expectations. Thoroughly enjoying the ride, he pays no attention to the map and gets lost in the Doldrums, a grey place where thinking and laughing are not allowed. However, he is found there and rescued by Tock, a watchdog with the body of an alarm clock, and together they continue their travels.

While Phantom Tollbooth is far from being in the literary fiction category, the writing inspired me. Many literary novels were once simply popular writings that collected admirers and stood the test of time. Writings that begin as popular with the masses are often skewered by critics. Conversely authors declared literary geniuses by modern critics may really prove to be no better than a middle-brow wordsmith.

I read somewhere that literary fiction can be described as well-written with distinctive characters that grow and change, rich dialogue, and interesting story lines, but doesn’t that describe every good tale? Is it not possible that a story categorized as “popular fiction” eventually become recognized as literary fiction if it stands the test of time by exhibiting a well crafted phrasing in a style that is vivid, original, and paints a lasting picture in the reader’s mind?

Give a book, get a book | csmonitor.com

Give a book, get a book | csmonitor.com

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